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・ Norman E. Mack
・ Norman E. Moxley
・ Norman E. Rosenthal
・ Norman E. Snyder
・ Norman Easedale Crump
・ Norman Ebbutt
・ Norman Eddy
・ Norman Edouard Hartweg
・ Norman Edsall
・ Norman Edson
・ Norman Edward Tate
・ Norman Elder
・ Norman Ellison
・ Norman Ellison (footballer)
・ Norman Emerson
Norman England (director)
・ Norman Erekson
・ Norman Ericson
・ Norman Eshley
・ Norman Ettlinger
・ Norman Evans
・ Norman Evans (architect)
・ Norman Ewing
・ Norman F. Bates
・ Norman F. Carnahan
・ Norman F. Dixon
・ Norman F. Douty
・ Norman F. Feldheym Central Library
・ Norman F. Lent
・ Norman F. Ness


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Norman England (director) : ウィキペディア英語版
Norman England (director)

Norman England (born April 24, 1959) is a film director, actor and film reporter based primarily in Japan. As a reporter he has extensively covered the Millennium Godzilla movies and the new wave of Japanese horror. To date he is the only non-Japanese to have worn the iconic Godzilla suit during production.
He directed his first film The iDol in 2005.
==Early life, set reporting, and film subtitling==
England was born in San Mateo, California in 1959, and moved to New York in 1963. From 1978 to 1991, he was a member of the New York City based rock group Proper iD alongside bandmates Lach and Geoff Notkin, who went on to star in the Science Channel reality show Meteorite Men.
He emigrated to Japan in 1993 and soon established himself as a writer of the kaiju movie genre. In 1998, he spent a week on the set of George A. Romero's TV commercial for the Capcom video game Resident Evil 2, where he met Anthony Ferranti who introduced him to the editors of Fangoria magazine. In 1999, England became the Japan correspondent for Fangoria, through which he became the first westerner to write about the new wave of Japanese horror movies in the mainstream press. During this time he has also written for publications including Hobby Japan, Japanzine, Starlog, Flix, Japanese Giants, and The Japan Times.
As he is based in Japan, England has been able to spend much time on the sets of the films themselves, often logging days beyond simple reporter visits. He spent more than 100 days on set of the Millennium Godzilla series of movies produced between 1999 and 2004, including the 2001 movie ''Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack'' on which he visited the set almost continuously from April to October and became the only non-Japanese to have worn the Godzilla suit while the a movie was actively in production.
During his time reporting, England has taken on small speaking parts and background acting in various movies and TV productions.
Since asked by director Yoshihiro Nishimura to create the English subtitles for the film Vampire Girl vs. Frankenstein Girl, England has been subtitling Japanese films on a regular basis, working for directors such as Shusuke Kaneko, Nishimura, Noboru Iguchi, Hideo Nakata, Tak Sakaguchi and Yukihiko Tsutsumi.
In 2012, England began to write for Eiga Hiho, one of Japan's premier cinema magazines. His monthly column "Grindhouse USA" recounts his experiences working in New York City's Times Square during the 1980s and the cinema culture that existed there before the area's renovation in the 1990s.

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